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Library of Congress Classification does not distinguish works by women composers from those by others, so be sure to browse through the scores by instrumentation or by looking for specific composers!
Scores
M1977.W64 - Secular vocal music–Women (secular songs about women)
General Literature on Music
ML82 - Women and music
Dictionaries, Encyclopedias
ML102.G46 - Gender in music
Bibliography
ML128.W7 - Women in music
ML156.4.G4 - Women’s music (discography)
ML156.4.W6 - Women musicians (discography)
Keyboard
American Keyboard Music, 1866-1910
by
Sylvia Glickman (Editor)
American Women Composers: Piano Music from 1865-1915
by
Sylvia Glickman (Editor)
Black Women Composers: A Century of Piano Music (1893-1990)
by
Helen Walker-Hill (Editor)
Eighteenth Century Women Composers for the Harpsichord or Piano
by
Barbara Harbach (Editor)
Female Composers: 22 Pieces from the 18th-20th Century
by
Eva Rieger and Käte Walter (Editors)
Organ Music by Women Composers Before 1800
by
Calvert Johnson (Editor)
Women Composers for the Harpsichord
by
Barbara Harbach (Editor)
Women Composers of Ragtime: A Collection of Six Selected Rags by Women Composers, Reprinted From the Original Sheet Music
by
Carolynn A. Lindemann (Editor)
Strings
Female Composers: 13 Pieces for Violin and Piano
by
Barbara Heller and Eva Rieger (Editors)
Keyboard Sonatas
by
Francesca Lebrun; Marie-Emmanuelle Bayon; Deborah Hayes (Editor)
Other Finnish Works for Violin: Works for Violin and Piano by Finnish Women Composers 1886-1936
by
Mirka Malmi (Compiler) and Tiina Karakorpi (Editor)
Female Composers: 14 Pieces for Violoncello and Piano
by
Barbara Heller and Eva Rieger (Editors)
Voice
Anthology of Songs
by
Pauline Duchambge; Loïsa Puget; Pauline Viardot; with Jane Vieu (Editor), Susan C. Cook, and Judy S. Tsou
Art Songs and Spirituals by African American Women Composers
by
Vivian Taylor (Editor)
Female Composers: 25 Songs for Voice and Piano
by
Eva Rieger and Käte Walter (Editors)
First Solos: Songs by Women Composers, Vol. 1
by
Randi Marrazzo (Editor)
First Solos: Songs by Women Composers, Vol. 2
by
Randi Marrazzo (Editor)
First Solos: Songs by Women Composers, Vol. 3
by
Randi Marrazzo (Editor)
Inspired by Goethe: Songs by Women Composers for Voice and Orchestra, Volume 1
by
Wolfgang Danzmayr (Arranger)
Inspired by Goether: Songs by Women Composers for Voice and Orchestra, Volume 2
by
Wolfgang Danzmayr (Arranger)
Lieder and Other Songs by Women Composers of the Classic Era, Vol. 1
by
Barbara Garvey Jackson (Editor)
Choir
Anthology of Sacred Music by Women Composers
by
Louise Stewart (Edited)
Woodwinds
Flute Music by Female Composers: 13 Pieces for Flute and Piano
by
Elisabeth Weinzierl-Wächter and Barbara Heller (Editors)
Clarinet Music by Female Composers: 18 Pieces for Clarinet (A and B-flat) and Piano
by
Sabine Pfeifer and Barbara Heller (Editors)
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Florence Price, 1887-1953, was the first African American woman composer to have a work performed by a major American orchestra (Symphony in E Minor premiered by the Chicago Symphony Orchestra in 1933). Price is best known for her songs, which were popularized by singers such as Marian Anderson and Leontyne Price (source).
Kelly-Marie Murphy, Canadian composer based in Ottawa, is known for her orchestral and chamber works. Commissions include works for the Toronto Symphony Orchestra, Winnipeg Symphony Orchestra, and Gryphon Trio (source).
Zosha Di Castri is a Canadian composer whose work has been described as "riotously inventive" (The New Yorker. She is known for her work on interdisciplinary projects and her works have been commissioned by John Adams, Esprit Orchestra, BBC, and Orchestre symphonique de Montréal (source).
Zosha Di Castri's papers are available in UBC Special Collections' Canadian Women Composers Collection.
The Canadian Women Composers Collection was introduced by UBC Library through an endowment from Anne Kaplan for the purpose of documenting the compositional practices of Canadian women composers active at home or abroad. The collection serves to build and sustain a body of primary resources and unique related materials that will serve future musicologists, music theorists, and performers interested in music analyses, as well as expand participating composers’ audiences. Materials were created and assembled by the respective composers during the course of their activities.
The collection is housed in UBC Archives at Rare Books and Special Collections at the Irving K. Barber Learning Centre. Acquisition of materials from their creators began in 2018. New additions to the collection are expected annually.
Canadian Women Composers Collection UBC Library Archival Fonds