Days of Significance : Day of the Dead

El D#65533;a de los Muertos is the Mexican equivalent of All Saints' Day and All Souls' Day. During this festival, people build altars to loved ones who have died and gather around it to rekindle happy memories of that person. Graves and altars are decorated with bright flowers like marigold. Offerings of food and anything else that the deceased liked are also made.

This innovative work of cultural history examines the function of public rituals in colonial Mexico City. Festivals were a defining characteristic of life in the capital. For most of the colonial period, inhabitants could witness as many as 100 religious and civil celebrations in a year. The largest of these events, both civil and religious, were sponsored by the authorities and were crucial means to embody political and social concepts. The first European public rituals were introduced immediately after the conquest of the Aztec capital. Spanish priests seeking to evangelize the native population introduced Catholic festivals, and civil authorities sponsored celebrations designed to glorify the Spanish empire. Spectacle was one tool in an arsenal of colonizing agents, and over time the growing diversity of the population made festival statecraft all the more important, as government-sponsored revelry attempted to promote shared histories and values among diverse and potentially dangerous groups. Festivals organizers developed a highly sophisticated message embedded within the celebrations that delineated the principles of leadership and the duties of both rulers and vassals. The pervasiveness of festivals and the power of the political message associated with them created possibilities for individuals to assess and participate in a larger discussion of good governance in the colony.

All over Mexico, early in November, families gather to welcome the souls of the dead on their annual visit home. The smells of burning copal incense and pungent cempasúchil (marigolds) mingle with the aromas of fresh bread, new clothing, sweets, and candles. One of Mexico's most important festivals since prehispanic times, the Day of the Dead is an occasion for celebrating and feasting, cleaning and decorating graves, dancing and making music. In this unique work, the authors explore both the historic origins of this holiday and its colorful present-day celebrations in Mexico and the United States. Interviews with Mexican artists and crafters who provide goods for the festival--from personalized sugar skulls to gigantic papier-mâché skeletons--offer a fascinating glimpse into traditional and contemporary attitudes toward death and the dead. Lavishly illustrated with color and black-and-white photographs, The Skeleton at the Feast will be required reading for all who are interested in Mexican culture, art, and folklore.

The Day of the Dead is the most important annual celebration in Oaxaca, Mexico. Skillfully combining textual information and photographic imagery, this book begins with a discussion of the people of Oaxaca, their way of life, and their way of looking at the world. It then takes the reader through the celebration from the preparations that can begin months in advance through to the private gatherings in homes and finally to the cemetery where the villagers celebrate together -- both the living and the dead. The voices in the book are of those people who have participated in the Day of the Dead for as long as they can remember. There are no ghosts here. Only the souls of loved ones who have gone to the Village of the Dead and who are allowed to return once a year to be with their family. Very readable and beautifully illustrated, this book provides an extensive discussion of the people of Oaxaca, their way of life and their beliefs, which make the Day of the Dead logical and easily comprehensible.